Sociopoetics in the Works of Shakespeare

  • Thomas Bechtold University of Tennessee
Keywords: Dialogism, Sociopoetics, Shakespeare

Abstract

This study is meant to develop an immanent critique following the dialogism of socio-poetics in the literary criticism of Mikhail Bakhtin. Socio-poetics in the reception and composition of Shakespeare's works reflect the first intimations of social and political transformation to a modern nationalized society from a premodern feudal society. This study explores Shakespeare's use of metaphor through his dramatizations and characterizations at the dawn of modernity and the decline of feudalism: identifying contradictions and tensions that intimate this transformation in English society and language, and, providing an approach to this globalizing language that partakes in simultaneous modes of confabulation and possible de-commodification of that language through an understanding founded in a socio-poetics. Shakespeare's unique historical position in delimiting later formations of the English language, his composition of modes of reference and literacy, also prepares a potential critique of the contemporary use of figurative language in the present socio-political moment.

Author Biography

Thomas Bechtold, University of Tennessee

Thomas Bechtold is a doctoral student in the Department of Sociology at the University of Tennessee- Knoxville where he studies critical social theory and environmental sociology.  

References

Agamben, Giorgio. 1998. Homo Sacer Sovereign Power and Bare Life. Stanford U. edited by W. Hamacher and D. E. Wellbery. Stanford: Stanford University Press.

Bakhtin, Mikhail. 1984. Problems of Dostoevky’s Poetics. edited by C. Emerson. Minneapolis: University of Minnesota Press.

Bakhtin, Mikhail Mikhailovich and Pavel Nikolaevich Medvedev. 1978. The Formal Method in Literary Scholarship A Critical Introduction to Sociological Poetics. Baltimore: The John Hopkins University Press.

Bernstein, J. M. 2000. “Re-Enchanting Nature.†Journal of the British Society for Phenomenology 31(3):277–99.

Bourdieu, Pierre. 1993. The Field of Cultural Production. Polity Pre. edited by R. Johnson. New York: Columbia University Press.

Eagleton, Terry. 1986. William Shakespeare. New York: Basil Blackwell, Inc.

Hansen, Miriam. 1992. “Mass Culture as Hieroglyphic Writing : Adorno , Derrida , Kracauer.†New German Critique Special Is(56):43–73.

Horkheimer, Max and Theodor W. Adorno. 2002. Dialectic of Enlightenment Philosophical Fragments Cultural Memeory in the Present. edited by G. S. Noerr. Stanford: Stanford University Press.

Hylton, Jeremy “The Complete Works of William Shakespeare.†http://shakespeare.mit.edu/index.html Accessed April 30, 2019.

Jameson, Frederic. 1981. The Political Unconscious Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press.

Kristeva, Julia. 1980. Desire In Language A Semiotic Approach to Literature and Art. New York: Columbia University Press.

Ricouer, Paul. 1991. From Text to Action Essays in Hermeneutics, II. edited by J. M. Edie et al. Evanston: Northwestern University Press.

Published
2019-10-09
Section
Cultural Reflections of Capital: A Symposium