Digital Reproducibility and the Culture Industry: Popular Music and the Adorno-Benjamin Debate

Ryan Moore

Keywords


Social Theory; Capitalism; Critical Theory; Cultural Studies; Critique; Digital Society; Sociology; Scholarly Journal; Peer reviewed journal; Ben Agger; Tim Luke

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DOI: https://doi.org/10.32855/fcapital.201201.010

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Copyright (c) 2012 Ryan Moore

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This work is licensed under a Creative Commons Attribution 4.0 International License.

ISSN: 1930-014X