Culture After Work? Intellectual Property in Post-Scarcity Discourses

Ryan Nolan



Full Text:



Appadurai, Arjun (eds). 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge, UK: Cambridge University Press.

Arditi, David. 2020. Getting Signed: Record Contracts, Musicians, and Power in Society. London: Palgrave Macmillan.

Arditi, David. 2021. “Precarious Labor in COVID Times: The Case of Musicians.” Fast Capitalism 18(1): 13–25.

Autonomy. 2021. “Piloting a Basic Income in Wales: Principles, Precedents and Feasibility.” Autonomy. Available at:

Banks, Mark. 2015. “Cultural Industries, Work and Values.” AHRC Cultural Value Project: 1–52.

Beech, Dave. 2019. “Work in Postcapitalism.” Parse 9: 1–24.

Beech, Dave. 2019. Art and Post-capitalism: Aesthetic Labor, Automation and Value Production. London: Pluto.

Benanav, Aaron. 2021. Automation and the Future of Work. London: Verso.

Brenner, Robert. 2006. The Economics of Global Turbulence: The Advanced Capitalist Economies from Long Boom to Long Downturn, 1945-2005. London: Verso.

Brynjolfsson, Erik. and McAfee, Andrew. 2014. The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies. New York: W.W. Norton and Company.

Butt, Danny. 2017. Artistic Research in the Future Academy. Chicago: University of Chicago Press.

Crary, Jonathan. 2013. 24/7: Late Capitalism and the Ends of Sleep. London: Verso.

Das, Satyajit. 2016. The Age of Stagnation: Why Perpetual Growth is Unattainable and the Global Economy is in Peril. New York: Prometheus Books.

Demers, Joanna. 2006. Steal This Music: How Intellectual Property Law Affects Musical Creativity. Georgia: University of Georgia Press.

Devine, Kyle. 2020. Decomposed: The Political Ecology of Music. Cambridge, MA: MIT Press.

Drott, Eric. 2019. “Music in the Work of Social Reproduction.” Cultural Politics 15(2): 162–183.

Dryhurst, Mat. 2022. “Feasible Abundance and the Shock of the Nude.” Available at:

Du Bois, W.E.B. 2003. Darkwater: Voices from Within the Veil. New York: Dover Publications.

Fisher, Mark. 2009. Capitalist Realism: Is There No Alternative? Winchester, UK: Zero Books.

Ford, Martin. 2016. Rise of the Robots: Technology and the Threat of a Jobless Future. New York: Basic Books.

Herndon, Holly. 2021. “Holly+.” Available at:

Hesmondhalgh, David. 2013. Why Music Matters. New Jersey: Wiley-Blackwell.

Hester, Helen. 2016. “After Work: What’s Left and Who Cares?” Available at:

Hester, Helen and Stronge, Will. 2020. “Towards Post-Work Studies: Identifying Misconceptions in an Emerging Field.” Autonomy. Available at:

HM Government. 1988. “Copyright, Designs and Patents Act.” Available at:

Hobsbawm, Eric. 1998. Behind the Times: The Decline and Fall of the Twentieth-Century Avant-Gardes. London: Thames and Hudson.

Holert, Tom. 2009. “Art in the Knowledge Based Polis.” e-flux 3. Available at:

Maharaj, Sarat. 2009. “Know-How and No-How: Stopgap Notes on ‘Method’ in Visual Art as Knowledge Production.” Art & Research: A Journal of Ideas, Contexts and Methods 2(2) Spring. Available at:

Marx, Karl. 2000. A Critique of the German Ideology. Transcription Tim Delaney and Bob Schwartz, Marx/Engels Internet Archive ( Available at:

McRobbie, Angela. 2002. “Clubs to Companies: Notes on the Decline of Political Culture in Speeded-Up Creative Worlds.” Cultural Studies 16(4): 516-531.

Noys, Benjamin. 2011. The Art of Capital: Artistic Identity and the Paradox of Valorisation. Available at:

O’Brien, Dave. Taylor, Mark. and Brook, Orian. 2020. Culture is Bad for You: Inequality in the Cultural and Creative Industries. Manchester: Manchester University Press.

O’Connor, Justin. 2022. “Art, Culture and a Foundational Economy.” Reset. Working paper no. 2. Available at:

Rekret, Paul. and Szadkowski, Krystian. 2021. “Intellectual Property.” In The Sage Handbook of Marxism, edited by B. Skeggs, S.R. Farris, A. Toscano and Bromberg, S. London: Sage.

Sheikh, Simon. 2009. “Objects of Study or Commodification of Knowledge? Remarks on Artistic Research.” Art & Research: A Journal of Ideas, Contexts and Methods 2(2) Spring. Available at:

Smith, Jason E. 2020. Smart Machines and Service Work: Automation in the Age of Stagnation. London: Reaktion Books.

Sojit Pejcha, Camille. 2022. “Who does your voice belong to? For musician Holly Herndon, the answer is ‘everyone’.” Document. Available at:

Srnicek, Nick. and Williams, Alex. 2015. Inventing the Future: Postcapitalism and a World Without Work. London: Verso.

Standing, Guy. 2017. Basic Income: And How We Can Make It Happen. London: Pelican Books.

Steven, Mark. 2020. “Capital Is Not Dead.” Sydney Review of Books. Available at:

Terranova, Tiziana. 2000. “Free Labor: Producing Culture for the Digital Economy.” Social Text 63: 33–58.

Thompson, Marie. and Drott, Eric. 2020. “Music is still at work even if musicians aren’t: care, reproduction, crisis.” Hypothesis. Available at:

Valenzuela, Francisco. and Bohm, Steffen. 2017. “Against Wasted Politics: A Critique of the Circular Economy.” Ephemera: Theory and Politics in Organization 17(1): 23–60.

Virno, Paolo. 2004. A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life. Translated from Italian by I. Bertoletti, J. Cascaito and A. Casson. Los Angeles: Semiotext(e).

Wittel, Andreas. 2001. “Towards a Network Sociality.” Theory, Culture & Society 18(6): 51–76.

Wark, McKenzie. 2016. “Digital Provenance and the Artwork as Derivative.” eflux 77. Available at:

Wark, McKenzie. 2017. “My Collectible Ass.” eflux 85. Available at:

Wark, McKenzie. 2019. Capital is Dead: Is This Something Worse? London: Verso.

Warne Thomas, Charlotte. 2021. “Artists as Workers.” Autonomy: 1–100. Available at:



  • There are currently no refbacks.

Copyright (c) 2022 Ryan Nolan

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

ISSN: 1930-014X