Who Controls Digital Culture?

Mark Poster

DOI: https://doi.org/10.32855/fcapital.200502.009

Keywords: Social Theory, Capitalism, Critical Theory, Cultural Studies, Critique, Digital Society, Sociology, Scholarly Journal, Peer reviewed journal, Ben Agger, Tim Luke

Abstract

First published at:

http://www.uta.edu/huma/agger/fastcapitalism/1_2/poster.html

Author Biography

Mark Poster

Mark Poster is a member of the Department of Film and Media Studies and a member of the History Department at the University of California, Irvine. He has courtesy appointments in the Department of Information and Computer Science and the Department of Comparative Literature. He is a member of the Critical Theory Institute. His recent and forthcoming books are: Information Please: Culture and Politics in a Digital Age (Duke University Press, 2006); What's the Matter with the Internet?: A Critical Theory of Cyberspace (University of Minnesota Press, 2001); The Information Subject in Critical Voices Series (New York: Gordon and Breach Arts International, 2001); Cultural History and Postmodernity (New York: Columbia University Press, 1997); The Second Media Age (London: Polity and New York: Blackwell, 1995); and The Mode of Information (London: Blackwell and Chicago: University of Chicago Press, 1990).

Fast Capitalism - Volume 1, Issue 2 Cover

Published

2019-04-01

Issue

Vol. 1 No. 2 (2005): Fast Capitalism 1.2

Section

Articles

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors of papers published in Fast Capitalism hold copyright to their work. Requests for permission to reprint should be directed to the author.

Fast Capitalism is licensed under a Creative Commons Attribution 4.0 International License.